The theme of poetry and poetry. The image and theme of the poet in the literature of Russia The theme of poetry in the lyric

The theme of recognition of the poet and poetry is traditional for Russian literature. Vaughn prostezhuetsya in the works of Derzhavin, Kuchelbecker, Riliev, Pushkin, Lermontov. N. A. Nekrasov no blame. Just like Kuchelbecker, Pushkin sings - "prophet" to know the NATO in the fight for the ideals of freedom, goodness and justice, go to the people "with a fiery fire of the heart", then Lermontov's prophet insha: to live in the wilderness of people. Bachachi's vices, wines do not know in themselves the strength to fight. The poets of Nekrasov are the prophet, whom “God sent anger and sorrow” to people, he sings the thorny path, the shards sing to go through this path with a lyre in his hands, bewildered and vibrating. He sings of wisdom, that it is impossible to get a passionate love in such a rank:

Yogo follow the fuck up:

Win catch the sounds of approval

Praise not in licorice remembrance,

And in the wild cries of anger.

…………………………………..

To curse from the sides of yoga,

I, only a corpse yogo poachivshi,

Like a richly growing wine, understand,

I like loving wine - haters!

Ale yoga position - tse position of the poet-hulk, sin of his own Batkivshchyna:

You can’t dream calmly

Mother's day on the mountain.

The poet’s poetic manifesto became the verse “Sings and the Gromadyanin” (1856), writing in the form of a dialogue between the poet and the reader - the Gromadyan, the democrat behind his perekonanny, which presents the poets and the best of the names of the best people of the country - and the spirit of the hour itself, the spirit of life itself :

Time to get up! You know yourself

What hour has come;

Who doesn’t feel cold for a borg,

Who is incorruptible with a straight heart,

In whom is the talent, strength,

lucidity,

So now you can sleep ...

………………………………………..

Turn over: smash the vices boldly ...

………………………………………..

Chi is not an hour in checks grati,

Chi is not an hour of sleep!

………………………………………..

Be a citizen! Serve the mystic

Live for the good of your neighbor

Your genius

All-embracing love...

Before us is not a duel of two opponents, but a mutual search for a true opinion on nutrition about the role of the poet and the recognition of poetry in a supple life. The gromadyan reconverted the poet to the fact that his role in the life of prosperity is significant and plays a role not only in artistic talent, but in civil reconciliation:

You can't sing,

Ale, a hulk buti goiter.

And what is a hulk?

Batkivshchyna is a good syn.

………………………………………..

Vіn, like your own, to wear

All the faces of the fatherland of their own.

The muse of Nekrasov, the sister of the suffering, mortified, rotten people, enters into the poetry of the XIX century:

Yesterday, years on the sixth,

Zaishov I on Sinnu;

There they beat the woman with a batog,

The peasant woman is young,

No sound from її breasts,

Only a scourge of whistles, roaring ...

I Muzі I said: “Watch!

Your sister is dear! »

Muse - "a bag of companions of sumptuous bіdnyakіv", "weeping, mournful", "humbled to ask for" for the share of the people, went through the whole yoga of life at once with a sing:

Dayless darkness of Violence and Evil,

Pratsi and Hunger won me out -

Learn your suffering

I blessed the world to tell about her ...

In the end of life he sings, turning to his Muse, like:

About Muse! our song is asleep.

Come close the poet's eyes

For the eternal dream of a dream,

The sister of the people is mine!

He sings of songs that the Muse will not let the “living, vital union” between them “be torn apart” with “honest hearts” after death. At the verse, "Elegia" sings rosemary about the most important food of modernity, about young people, about their share and the share of the people. “The people of happiness, what about the happy people?” All the verses were taken over by the same anxious thought. Ale people, about what they think, write, sing, murmur:

Nature listens to me

Ale to the one about whom I sleep in the evening silence,

To whom the dream of the poet is dedicated -

Too bad! not vіdpovіv vіn - i don't give vіdpovіdі ...

Versh "Elegiya" - the poetic commandment of the poet-gromadyan, like a victor in his shoes:

I dedicated the lyre to my people.

Booty, I'll die without knowing you,

Ale, I served you - and my heart is calm ...

Before the problem of creativity, there were many famous writers. The theme of poetry and poetry in the lyric of Pushkin, for example, takes up a lot of space. About the special її role, the high recognition of the wines to speak at the richness of their verses. The axis is less than deeds of them: "Free the light of the desert" (written in 1823 rotation), "Prophet" (in 1826 rotation), "Sings" (in 1827 rotation), "Echo" (in 1831 rotation), "Monument" (in 1836 r_k).

What did you think about the poetry of Pushkin?

Poeziya - tse vіdpovіdalne i important on the right, vvazhає Oleksandr Sergiyovich. It sings in the presence of simple people, that you are given a sense, bachiti, understand those that you don’t feel, don’t sing and don’t understand a wonderful person. The author, with his gift, pours into his soul, the shards of the building's "diesel fire" of human hearts. Ale's poetic talent is not just a gift, but a great capacity and an important burden. Therefore, the theme of poetry and poetry in the lyric of Pushkin deserves special respect.

Injecting poetry into people

Having poured into people even more, he himself sings because of the bright social behavior, fighting against suspense injustice and showing resilience in this struggle. Vin is guilty of being a powerful judge, not only in terms of remembrance to others, but also first for everything to himself. Spravzhnya poetry, according to Pushkin's thought, is guilty of being life-hard, human, awakening humanism and kindness. At the resurrected, more poets Pushkin rozmirkovu about the difficulty of mutually poet with the people and power, about the freedom of creativity.

"Prophet"

At the middle school, the theme of the poet and poetry in the lyric of Pushkin is reportedly discussed. A lesson in the 9th grade is obov'yazkovo assigned to this verse. The prophet - tse, in the thought of Oleksandr Sergiyovich, is the ideal image of a right poet in his own calling and daily life. This verse was created in 1826 as a roci - an important piece for the poet at the time of the spiritual crisis, which called out a novelty about the shooting of the Decembrists. The theme of the poet and poetry in the lyric of Pushkin is reported to each creation.

Oleksandr Sergiyovich turns to the book of the prophet Isaiah. Vіn also perebuvav in rozpachі, posterіgayuchi svіt, bachachi, that he loaded in vices and lawless. For a right creator, life's zmist, reminiscent of the minds and hearts of people, may become a gloomy emptier ... Win a shoo of spiritual contentment and pragne to nothing. Nothing more from the yogo side and is not necessary, so as spragli and hungry incessantly satiate.

The poet-prophet penetrated into the life of the lower and higher nature, feeling and gazing at everything that is seen in the world, from the flight of angels to the path of reptiles, from the wrapping of heaven to the animals of earthly growths. Whoever is clear in order to see all the beauty of the world, that one is more aware of the dissimilarity of activity, in which people live. I am guilty and will fight with her. Zbroya i deyu poet - the word of truth. Ale, so that it did not sting, but the heart itself burned, it is necessary that the sting of wisdom was inflamed by the fire of great love. Crime to the way of the Bible, from it is taken and the rest of the mission of God's messenger:

"I coal that burns with fire,
Pushed the chest open."

To lay the Bible and the solemn tone of the whole verse, the offerings and the inauspiciously majestic. The number of consecutive speeches and logical splits for an hour of panning one union - "i" (when repeated twenty times in thirty verses), according to V. Solovyov's thought, they bring Pushkin's language to the biblical language.

In the "Prophet" the lyrical hero does not defile himself as to create in the lawless suspense, but he is guilty and not baiduzhy to the point that he feels badly, wanting and cannot change anything.

"A year of fun..."

Let's look at the creative work, the theme of the poet and poetry in the lyric of Pushkin is not intermingled. Vіrshi, consecrated їy, numerical. So, deyakі risi, vіdhomoni "Proroka" can be known in the greater work of Oleksandr Sergiyovich "A year of fun ...". It was written in 1830 roci. The theme of poetry and poetry in Pushkin's lyric sounds like nothing else here. In a new spiritual transformation of the author, it recurs with the transformations of the prophet, physical and moral, as if it were after being burned in the crucible of human suffering.

All of Pushkin's life was a testament to the fact that his thoughts are true. Yogo vilna, merciful poetry protested against the slavish blasphemy of the people, called out to fight for the freedom of the people. Vaughn encouraged the strength of the spirit to know Pushkin's infamous friends-Decembrists, instilled in them resilience and masculinity.

"Arion"

The theme of the poet and poetry in the lyric of Pushkin is even richer. Let us briefly describe the offensive verse - "Arion", created in 1827. Somebody needs to know about the need for masculinity and stamina. Versh in an allegorical form reflects the tragic fate of 1825.

Regardless of those, the “swimming-Decembrists” perished, Arion’s soul sank into a true noble mission, continuing to propagate the ideals of justice and freedom. Vin declares: "I sing a lot of hymns."

In the late verses of Oleksandr Sergiyovich, thoughts often start to sound about the sense of human life, її slіnіnіst, shvidkoplinnіst, podchuvaєtsya imagining the shvidkoї death of the poet. At this hour, Pushkin seems to be adding a bag of creative activity, trying to objectively evaluate the significance of his own decay.

"Monument"

In the rest of life and creativity, the theme of the poet and poetry in the lyric of Pushkin continues to sound. The verses, dedicated to her, are invariably inspired by the present style. So, in the verse written in 1836, the "Monument" sings the beast to the ancient recession, even though this tvir is a free translation of one of the odes of Horace. Pushkin expresses his sympathy for the fact that the wine will be left alive in the memory of the people. This is the right to give to you the creation of a "not made by hands" monument, which vin arguing for itself, shards to be a prophet, the voice of the Russian people.

For this poet, Pushkin speaks succinctly and succinctly about the metaphor and sensation of his poetry, the main merit of his specialty is that he sings like a prophet of wine awakening mercy, kindness, pragnennya to justice and freedom in people. Having reached Pushkin's poetry, we begin to see the bazhanya become clean, more beautiful, vchimosya bachit harmony and beauty all over again. Otzhe, poetry can effectively transform the world.

Kіntsіvka vіrsha - tse traditional way to the music, as if it is the duty of hearing the commandment of God, so that the voice of truth, and, not brutally respecting the thought of "unlit fools", follow me.

Oleksandr Sergiyovich, at the rich verses, raised the theme of the great poet's self-reliance in the midst of the natovpu. Yaskravy butt of tsygo - vіrsh "Poetovі". Pushkin calls out to be firm, calm and frown before the accusations of NATO and the court of a fool.

"Rozmov's bookkeeper with a poet"

In another work, "Rozmov's bookkeeper with a poet" (1824), there is a similar call, if the author speaks about fame.

In the period, when the entire verse was written, the poet's farewell to romanticism was said to have passed, and the transition to severe realism. It was written on the topic of literary creativity, relevant at that time, as a way to earn a living, as a profession. Food and drink praised the author, the shards of wine were one of the first to live on their literary earnings.

Here, from an atypical point of view, the theme of the poet and poetry in Pushkin's lyricism is seen. A short zmіst vіrsha is coming. There is a story about a duel between a poet and a bookseller, romance and pragmatism. In a dialogue between two heroes, "poetry" and "prose" are contrasted in the meaning of romantic, "present" manifestations and "prose", sober life. Vin will end up overcoming the bookseller. He sings to switch to language please, and the verse language is replaced by prose.

"Z Pindemonti"

It’s not like thinking that Pushkin, having respected himself more than other people, if he spoke about the “fool” and “incompetent”. Vіn less pіdkreslyuvav those, scho yogo judgment nezalezhnі, scho nіgo є the right to go there, where yogo pulls "free mind". Here Oleksandr Sergiyovich speaks clearly. In the verse "Z Pindemonti", written in 1836, it is said about those who are free - it means not to identify with one's own social groups, not to take part in the huge messes, not to lie in front of the king.

The muse of Oleksandr Sergiyovich Pushkin twice and twice served beauty, freedom, justice, kindness. What is the role and essence of true poetry?

The theme of the poet and poetry in the lyric of Pushkin (10th grade) is reported to the school. For more detailed information, you can turn to any kind of assistant from Russian literature.

Russian classical literature bestowed luminous wonders of poetic creativity. The works of Pushkin, Lermontov, Nekrasov have become true masterpieces. One of the main themes for these great masters of the word was the problem of finding a place for poetry in life, recognition of a poet, and his role in life.
A. S. Pushkin with all his creativity affirmed the unity of poetry and real life. For the new one, he sings as a human being, endowed with a divine gift. The muse is not guilty of turning around people, vvazhayuchy to the innocent ones to give respect to simple plots. Sings for Pushkin - tse prophet, building his creativity to pour into the soul. This topic is dedicated to the verse "Prophet", in which one can feel the voice of the author, which calls the poet:
"Arise, prophet, and leader, and feel,
Vikonati by my will,
I, bypassing the seas and lands,
The hearts of the people fell with the devil."
You can sing bachiti and vodchuvati those that are inaccessible to others. Ale vin goitre to dedicate his gift to people, and not to be forced by "spiritual help" but to walk in the gloomy heights of dreams and fantasies. This is a deep reconsideration of Pushkin himself, like the "Monument" of the verse, turns to the music with the mood:
Good God, about the muse, be heard,
Image do not be afraid, do not wave the crown,
Praise and slander were accepted by Baiduzhe
I do not challenge the fool.
A. S. Pushkin, until his death, having been deprived of his reconciliation, believed in the temple of recognition of the poetry, strength and edifice of the poet-hulk, the poet-prophet.
Look at it closely, and Pushkin's successor M. Yu. Lermontov. Yogo creativity has the same motives, but the hour has laid its own beat on the poet's verse. In the fate of the reaction, the share of the poet was more important. At the verse "Sings" Lermontov is paired with a poet with a dagger, who used to be a dirty sword, faithfully serving his master. And now the dagger, having become a toy, is not needed by anyone. So he sings, having spent his confession, having exchanged his mighty voice for gold. Earlier, the words of the poet lifted the spirit of people, sounded, "like a ringing on the vehі vіchovy at the days of celebrations and the bіd of the people." Lermontov is more afraid of pain, poetic creativity has become poetic for some frivolous and tempting. Vіn z gіrkotoyu zatuє, spodіvayuchis on better future:
Will you prokinesh again, Osmiya prophet? ..
Il never take revenge on the voice
Z zolotih pіhov DO NOT wield your blade,
Pokrity іrzhey znevagi? ..
Lermontov himself tried all the hardships of the position of the poet-prophet in the present day of suspension. In the verse "The Prophet" of the hero checks another share, lower than the hero of Pushkin's eponymous verse. The people did not need the "God's gift" of the prophet, who happened to live in the forest, hovatisya in the sight of people:
Vote I become love
І truth pure navchannya:
I have all my neighbors
They threw a stone, they say.
The very same "neighbors" and approached Pushkin and Lermontov, the life of such was cut short in the very development of creative forces. Having died Pushkin, having fallen in duel Lermontov, but in Russia there was a person who became the successor of great artists.
N. A. Nekrasov dedicated all his work to the Russian people. The poet's lyrics served for the presenters in a clear bulk. Sings, persh for everything, is guilty of being a hulk, saying Nekrasov, serve the people:
It's shameful to sleep with your talent.
More shameful in the hour of grief
The beauty of valleys, skies and seas
I caress sweetly spivuvat ...
Nekrasov calls out to poetry to be a champion of the people's interests. Sings goiter and yazan to write about the people and for the people:
Be a citizen! Serve the mystic
Live for the good of your neighbor
Your genius
All-embracing love...
Tsya is the theme to sound in the verse "Elegiya". Nekrasov insists that poetry cannot forget about the suffering and inspiration of the common people, who are recognized in their own temple. Best for liri:
Natovpі guess what the people are doing
At that hour, like there is a radio and sleep.
Teach the people respect for the strong world...
The poetry of Nekrasov, like the lyrics of Pushkin and Lermontov, is a small majestic infusion on the minds and hearts of people. These great Russian poets raised poetic creativity to an unattainable height, deserving fame and recognition of the nation. The first words of Nekrasov can be boldly taken to the skin of the brilliant poets of Russia:
I dedicate the lyre to my people...
Pushkin and Lermontov - two geniuses of Russian literature, two great Russian poets. At a different hour, the stench created their masterpieces. A rozkvit of Pushkin's creativity having fallen on the period of the public boom in the Russian society. A. S. Pushkin was well aware of the bagatma s quiet, who "is on the hunt for the honor of the Motherland." Lermontov, having created the fates of the reaction, came after the defeat of the insurrection on Senate Square. However, Lermontov's poetry is so self-willed, like Pushkin's lyrics, and in the verses of both poets there are strong patriotic motives.
A. S. Pushkin from his youth was praised by the theme of Russia, its people, its glorious history. At his romantic verses he sings the homeland of the Fatherland:
Tremble, tyrant! The hour of fall is already approaching!
You will play a hero in skin warriors,
Їx meta chi overcome, or I graze in the heat of battle
For Russia, for the holiness of vvtar.
The youth sings at the end of the Lyceum, his poetic mastery grew. The theme of patriotism did not resonate with Pushkin's work. Spravzhnіy patriotism for the new bov po'yazaniy s fight for freedom. He sings a call to the self-imposed service of the native land. This is the main idea of the verses "Before Chaadaev", "Village", odi "Vilnist". The message "Before Chaadaev" looks like they united the poet with the upcoming Decembrists. Pushkin calls his friend to fight for the freedom of Russia. Lyubov is inseparable to her in the struggle for happiness:
While freedom burns
As long as your heart is alive for honor,
My friend, votchizni is consecrated
Breathe beautiful souls!
He sings to a friendly messenger to raise the problem of the unity of special and subservient interests. The image of the poet, beaten by the verse, is beautiful by the strength and bezporednistyu patriotic feeling. Versh "Village" with great vehemence raises the problem of the abolition of the serf law, the abolition of the land of slavery. Pushkin is an encumbrance, who roams in the country, how to love wine so much. It is impossible to be merciful by native nature until such a feast, until the "pandom of the wild" denigrates the "slavery of the worse." Sings with pain in the heart of the prayer:
I'll tell you about friends! non-oppressed people
I slavery, seized by the mania of the king,
I over the vіtchiznoy freedom illumined
Chi zіyde nareshti beautiful dawn?
Ale Pushkin believes that "get out, star of happy happiness." And after the defeat of the rebellion of the Decembrists, the wines succumbed to the true ideals of the progressive people of the era. At the verses "At the depths of Siberian ores ...", "Arion" Pushkin glorifies the great feat of the Decembrists, thorough work for the good of the country. In the 30s, patriotism in Pushkin's lyric poetry was especially clearly manifested in the days of the Polish uprising. He sings not as a defender of the monarchy and not as an enemy of the Polish people, but as a Russian patriot, thinking about the share of Russia:
Alevi, tormentors of the chambers,
Easy-tongued vitii,
Vee, black heavy flash,
Riveters, enemies of Russia!
At the verse "Monument", as a kind of poetic pundits in poetic activity, Pushkin says that he has always lost his humanist, freedom-loving and patriot. Until his death he sings true to his ideals.
The death of Pushkin "woke up" Lermontov. Nevidomy sings earlier, having become a sign of the skin of the Russian people. Hatred to the point of strong right, the defense of freedom, protest against autocracy, made Yogo the progressive people of the era. The verse "The Death of a Poet" appeared as a right eye-catcher of Lermontov's gromadian lyric, as if sounding like a Russian poet's voice for a great expense. The theme of the suspenseful behavior of a person was heartily praised by the poet. The hulk sings, Lermontov loving his fatherland with a high love. Vіn bazhav happiness to his country, to the Russian people, opposing his patriotism to official patriotism:
I love Vіtchizna, but with wondrous love!
I can’t overcome my mind.
No glory, bought by blood,
Do not forget the proud, trust the calm ...
He sings in awe of Russian nature, folk saints. Lermontov to hate "the land of slaves", "the land of ladies". Wins to the glorious period of life of Russia, as it defeated Napoleon. He sings about the strength of the Russian character, about the masculinity of the common people, who has protected the Batkivshchyna:
Already we are breaking with a wall,
Let's stand with my head
For my father!
Lermontov glorifies the feat of arms, the heroism of the people in the war:
Having recognized the enemy that day, chimalo,
What does the Russian bey mean,
Our hand-to-hand fight!
Axis of wines, true patriotism! Itself so Lermontov rozumіv almost love to Russia, and tse knew his own image and creations of the poet.
It is important to reevaluate the significance of the poetry of Pushkin and Lermontov. A. S. Pushkin, having laid the foundation for Russian lyric poetry, M. Yu. Offended by the poets-hulks, they spawned Russia, in the form of "slavery and lancers". I stink deserved historical immortality, love and vdyachnist nashchadkiv.

Twir on literature on the topic: The theme of poetry and poetry in Russian literature of the 19th century

Others create:

Pushkin and Lermontov. Their names are instructed in the sky of Russian poetry. Their creativity has reached the heights of maisternost, so they think and are important for us their thoughts about the Poet and poetry, about the place of the writer in society. Dumki tsі vstrazhdani, Read More ......
The 19th century brought wonderful poets to Russian literature, such as A.S. Pushkin, M.Yu. Lermontov, N.A. Nekrasov and others. To bring these creative people to a tedious, one-man life, promin light and rich joy, stench to help rise in the heart Read More ......
The verse of "Andriy Shenier" has an idea - a sense of life in poetry. On the cob of his creative way, Pushkin rozmirkovuє about the hard work of the poet. Dali vіn vіdchuvaє svіy borg in front of the Decembrists, not forgetting Rilієva's order to be "hulk and poet". U vіrshah "The Prophet", Read More ......
The theme of recognition of poetry and the role of the poet in this world praised rich Russian classics. What is he singing? Maybe, tse herald of heaven, and, maybe, tse prophet? And how is it possible that poetry has no sense and was created only to please the ear? Not alone Read More ......
The theme of poetry and poetry is deeply rooted in the work of Russian poets. First of all, it is blamed and developed in the works of poets-philosophers of the XVIII century - Lomonosov and Derzhavin. In the 19th century, Pushkin became a successor. Nutrition about the confession of the poet, about the essence of the poetry Read More ......
In the verse "Batkivshchina" Lermontov declares his blood bond with nature, with the people, with joy and grief. Vіn love everything native, Russian, national, but hate "the land of slaves, the land of paniv", i.e. Russia autocratic-krіposnitska. "Scho love sings baiduji and Read More ......
Regardless of those in those appointments of the nineteenth century, it is impossible not to guess here and not to name (and at the same time, remember Danin and honor the great Lomonosov) "Ode to win over the Turks and Tatars and on the capture of Khotin" . So Read More ......
This traditional theme praised such poets as Horace, Byron, Zhukovsky, Derzhavin and others. Following them, Pushkin gives his own eloquent recognition of the poet and poetry. Tse food is broken in the first published verse "I'll sing to a friend" (1814). Sings to talk about problems, Read More ......

The theme of poetry and poetry in Russian literature of the 19th century

The theme of our lesson is the theme of poetry and poetry in the lyric poetry of Pushkin's kintsya of the 1820s. Let's talk about two verses: about the verse "The Prophet", written in 1826 roci, and about the verse "Sings and Natovp", written in 1828 roci.

Topic: Russian literature of the 19th century

Lesson: The theme of the poet and poetry in the lyrics of A.S. Pushkin. ("Prophet", "Sings and natovp")

Judging by the chronology, we are familiar with another Petersburg period of Pushkin, following the Mikhailovsky epiphany, but according to tradition, as Pushkin himself, his muse began to swell more and more life-like figures that predict Pushkin’s reality. However, those in Pushkin's work begin to grow apart, spiraling on romantic traditions. And in pershu cherga, ce stosuetsya by those poets and poetry. Let's guess that in Pushkin's work, the same poetry fills the character of that world, in which the greater step of human freedom can be built. To this very fact, the romantic tradition becomes an important support for the creation of quiet thoughts, about how to move the language. First, I’ll start talking about specific Pushkin’s creations, we guess, in the poetry of romantics, in the poetry of Pushkin’s readers (Zhukovsky, father), among civilized romantics (Rileeva) and Pushkin’s closest lyceum friend V.K. Küchelbecker, the theme of the poet and poetry was filled with a special character. Vaughn went beyond the framework of the manifestations of those that you can think of yourself as poets and poetic creativity. He sings under the feather of the romantics, sounding like an ideal person, who in his own way perceives the most natural world. It is more poetic gifted - not rozmov about the verses, not rozmov about the writings of the verses, tse rozmov about the special education of the world, about the special experience of the world, accessible by no means to everyone. Poet-romancers, madly, sang like NATO and turned into dosit selfish, from one side, and from the other side - united by a sacred sacred union among people, as if they appeared close and disputed one to one, more visible in such a spiritual sensation. It’s not unusual that Pushkin chooses to speak with themes of the poet and poetic act metaphorical walk. In one aspect, in front of us, we see the position of a poet, metaphorically represented by the figure of a prophet, in another aspect - by the rank of a priest. Between them there is a covenant, to that one and that, and the other is the intermediary between the world of gods and the world of people. The language of the gods of the splendid people is inconspicuous, to the fact that the gods speak of my, inaccessible to the splendid human mind. Mіzh Svіt Divine Movie і's Svіt people zehіddnіsti Viknikov Provіzhna Fiviga - Fiviga Prophet, Fiviga Zherzia, Misіya і Meta Pivotii Violas і Proszum_lim TU Movu wants in Jaki Mіrі, to Kіntsya Roszyifruvati і Prosomіti All Mira of Divine and Lyudsky Rosum is not available. In all Pushkin's poems, the effect of inconsistency, mystery and inaccessibility to the great human mind is saved, which in the conception sings to save its mystery and incomprehensibility to the great human mind. In order to get closer to the understanding of these Pushkin's creations, it is reasonable to turn to the direct meanings and sensations of these metaphors, to which Pushkin is brought up.

A literate reader of the 19th century, who is well aware of the biblical tradition, was aware that there were many motives in Pushkin's Vershi to descend to the text of the Old Testament, and to the book of the prophet Isa.

That there is a reason to turn to the text, to chime in, that Pushkin himself was positive about the sound of Pushkin and, like wine, reworking the text of this book. Є Torozhe need to slate, Shaho Samo in the samii of the Prophet in Bіbleiniy Traditzіji Viknikiu Unfortunately, in Tom Sensі, Shaho Bіblenі Prophets - CE NOT Yakіz Vaskatnі Osshistosti, and Zvicine Davanoєvreyshki Shepherds, on the heads of Jested Rapto, Zvaliva Zvalya Divine Mіsіya and tell the Jewish people the necessary words of God. Therefore, in all biblical books, one and the same close plot appears, which is familiar to us as a prophet's deception. First of all, people don’t see anything with God. The very same place and turned Pushkin's respect. The first thing Isaiah is experiencing, having heard the voice of God, is his own impurity. Vin, being a great person, appears to be sinful, as a minimum, original sin. If you need to bring the Word of God to you, then first, if you ask wine, clean your unclean mouth from the sight of sin. The first axis then appears the six-crowned seraph, who takes the vugill from the altar and sticks his mouth to Isa, knowing the sin and the sleaze, we can let those people’s lips carry the Word of God. And then Isaiah sensed that text, which you need to carry to the rebellious Israeli home: “You will be astonished and don’t flinch, you’ll be a little bit and you won’t feel it, For the heart of the people of this people has been busy, and it won’t come to me that I’ll heal them”.

Mal. 2. Prophet Isaiah (J.B. Tiepolo) ()

Already, it is clear that Pushkin is the motives of the victor's book in his own verse, but in a deeply transformed look.

As the language goes about the verse "Prorok", then we guess that in the 19th century in the popular anthology, in which the best works of Russian poets were friends, as if they had seen Galakhov,

this verse was once instructed with a note - Isaii. Pushkin deliberately reworks the book "Prophet Isaiah", pushing him to himself, but in his own verse, he does not try to create a poetic image of the biblical prophet. But, accept, not only, to those who are afraid to think that we have before us a metaphor of a poet and his poetic service:

Spiritual help Tomim ...

And if it’s a novelty, because the divine mission called the biblical prophet unbelievably, then Pushkin’s lyrical hero is a lot of spiritual help. And it means that you are farther away from the seraph and God blames you for your spiritual help, for your experience, for the marriage of spiritual support, the spiritual sense of your life.

Mal. 4. Six-crowned seraphim (M.A. Vrubel, 1905 r) ()

Then, at the spiritual help, the six-crowned seraphs are strengthened for spiritual help. This character from the spiritual hierarchy is only once guessed in the book "Prophet Isaiah". Todіz Pushkin's prophet seems like a reincarnation. It is easy to remember that the transformations are hovering over the quiet parts themselves, like God knows, proponing I prophesy my mission - eyes, ears and heart:

Light fingers like a dream
My zіnits bumped vin.
Coffin your springs,
Like a feathered eagle.
I bumped into my veins,–
І їх reminiscent of noise and ringing:

I fell down to my mouth,
I virvav sinful my language,
I Marnoslav and crafty,
I sting of the wisdom of the snake
My lips died
Having inserted the crooked right.
And in my chest rose with a sword,
I trembled my heart,
I coal that burns with fire,
Pushed the chest open.

Even though Isaac's six-cryled seraphim vugilli still stuck to the lips, then in Pushkin's virshi raptom the zamіst of the heart appears. Zreshtoy, this marvelous metamorphosis will end with the fact that we see before us the paradoxical image of a corpse, a person appears in his singing natural, human, natural quality. All yogo organs changed slightly. From the point of view of the prophetic book, the stench appeared cleansed. If you lie down a corpse, you resurrect with the voice of God:

“Arise, prophet, and marvel, and feel,
Vikonati by my will,
I, bypassing the seas and lands,
The hearts of the people fell with the devil's word.

And all the same riddles remain. One of the most significant ones, obviously, those that were seen by the prophet in the process of his reincarnation? Perhaps, in one place, as I explain, this is the axis of this fragment:

I feel the sky tremble,
I girsky yangolіv polіt,
I reptile of the sea underwater,
I private vine animal.

It would have been better if we had a picture of the world in front of us, but to show respect, accept those who can draw from Pushkin's text, it's wonderful in itself. Zvichayny people still pump the sea, and the axis of the prophet is now yelling "the bastard of the sea underwater," the wines are pumping the seabed. Zvichayna people saturate the sky, and the Pushkin prophet sees angels flying, so that they can go beyond the limits of the human dawn. Vіn bachit yakus picture svіtobudovi vіd top to bottom. Moreover, yak bi simultaneously, overnight. Because if we marvel at heaven, we don’t care what we see under our nose, under our feet, if we marvel at our feet, we don’t care about heaven. Only the prophet was given the opportunity to perform a stereoscopic rite all at once, which is impossible to appease the human eye. Behind everything, there is one more significant biblical tradition. Rich in time, the whole World is the creation of God, into which yoga wisdom has instilled. But again, in our great human earthly practice, we don’t even see our life as a vicarious divine providence, divine sense. Shvidshe navpak, we are all around swaying with some inconsistencies, some inaccuracies, evil, as if we are ordering us to create our human world. And it is necessary to stand on a wondrous, unimaginable position in order to, through all the imperfection of the world, in such an invisible, perhaps fantastic rank, to reveal the divine harmony behind everything and, wisely, litter your powerful imperfection. More than that, the theme, as it permeates all the verses on the cob to the final line “The hearts of people fell with the words of the word”, becomes the theme of fire, also represented by various metaphors. On the back of the hand are the six-crowned seraphim (from the ancient Jewish - fire), to the fact that this function just spits with the divine fire of the sins of the world. This is the coal that burns with fire, which blames the place of the great human heart in the breasts of the prophet. І nareshti, mysієyu yogo - "dієslovom scorch of the hearts of people". It became clear that this poet-prophet was guilty of doing the same operation with people, as if seraphim had killed him. Vіn is guilty of making people feel better in a different way, a little bit, take in the most important light. But in order to make a transformation, in fact, the skin of us is guilty of driving into ourselves a person of the splendid and reviving the spiritual. In the verse “The Prophet”, nevertheless, the lyrical hero of the Vede rose in the name of his sovereign name “I”.

If the language is about Pushkin and yoga creations, then in the history of Russian culture and poetry, the skin of them could play its own independent role. Those who in Pushkin's creativity looked complete and harmonious, in the spryyatti coming poets could sprout in different sides. Maєtsya on uvazi, that situation, which, admittedly, the theme of the poet and poetry, roared at the verse "The Prophet", in the future served as a development of that directly in Russian poetry, as it is customary to call it gromadian poetry. It dawned on me that in this moment he sings as a gigantic fiend, sensing the activity of such a pole in trying to overcome the nasty world. And it completely fit into the singing tradition, on which Pushkin also spires. In the first black, the tradition of gromadyanskoy poetry, gromadyansky romanticism (traditions of Riliev) and the lyceum friend Kuchelbecker, who at the moment (in 1826) is already condemned by the right Decembrists, and further away his share has not yet been assigned. And from the other side, the verse “Sings and NATO” appears as such a symbol and a substitute for the development of diametrically protracted straight into the development of Russian poetry, that directly, which thought to itself and vibudovuval itself in direct opposition to a socially significant understanding of poetry. Tse so called pure mysticism. And the only one in our tradition is the authority and ideal inspiration of the poet in pure yoga to show the poetry of A.A. Feta:

Chi is not for life's praise,
Not for mere, not for battles,
My people are for inspiration,
For the sounds of licorice and prayers.

The rows themselves will become a kind of poetic symbol of Fet's creative work.

And the axis at the top of "Sings and NATO" before us blames another situation, another picture. This is not a lyrical monologue, which is spoken like a bi in the name of a lyrical character. As if the scene is dramatic, as it stands now, already in front of the dialogue, presented, on one side, by the priest, and on the other side, the axis of the circle itself is not illuminated by the natovp. More than that, the very dramatic scene of Pushkin is small, now spiraling to a different tradition - NOT the Old Testament, not the Bible, not the Christian, but the ancient tradition, in this Greek-Roman style. It is not vipadkovo, to that antiquity itself gave rise to a particularly cultural phenomenon, as it is customary to call dialogue. That's not why this dialogue is being developed between these characters. The topic of this dialogue from the old point of view is to be opened up in a conjuncture with the time that the song of the priest is being discussed here. Shvidshe for everything that nevertheless vin conveys such a voice, as the will of God, as it is trying to convey to people. And from the other side, whose voice and song are indistinguishable:

Sings on a lyre inspired
Sounding with a pink hand.
Vin spivav– but cold and proud
Around the people of ignorance
Youmu listened blankly.

From one side, you hear, and from the other side - stupidly, to those who are not wise, who are sleeping. Ale tsya stupidity yurba is trying to break up, why on the right, trying to comprehend in their human categories what is seen in their eyes:

I tlumachil mob stupid:
“Nav_scho is so sonorous in your sleep?
Daremno vhoho hostile,
How far are the viins leading us?
What to rant about? why teach us?
Now the heart is lamenting, torturing,
Yak primhlivy charіvnik?
Like the wind, the song of yoga is free,
Then, like wind and bezplodna:
What a shame to us in it? »

Natovp is trying to fight one of the criteria, with the drive that it is possible to comprehend the song of the poet - melancholy. І raptom u vіdpovіd chuє:

Movchi, stupid people,
Day laborer, slave, consume, turbot!
Unbearable me your remembrance zuhvaliy,
You are the hrobak of the earth, not the blue of heaven;

Tobі b koristі everything - on the vag
The idol of you tsinuesh Belvedere.
You don't see the crusty, the crusty in the new.
Ale marmur tsey adzhe god! .. so what?
Pіchnoї miner is dearer to you:
You live in a new way.

It became clear that meta poetry is not greed, but something else. Yaka is not yet understood. Then again, the unlit yurba does not come into play. All the same, it will not be given to understand why on the right. Won then try to win the song of the poet as a lesson:

Nі, how do you fight the sky,
Your gift, divine messenger,
Live for our benefit:
Correct the hearts of brothers.
Mi cowardly, mi podstupnі,
Bezsoromni, zlі, nevyachnі;
My heart is cold eunuchs,
Riveters, slaves, fools;
Nesting the club in us vices.
You can, dear neighbor,
Give us funny lessons,
And we listen to you.

Amazing vision from side to side. First, it’s raptomly stated that the whole place is full of water, but we can’t deny that the songs were corrected by the wadi themselves. All the same, the theme of what, as a meanness, as a sensation in this stupid song, is guilty of manifestations. I raptom at the vidpovіd sings vimovlyaє schos nepodіvane:

Get out– yak on the right
Sing to the peaceful before you!
In the openness of the stone, boldly,
Chi do not chew you liri voice!
Ogidni soul, like a trifle.
For your stupidity and malice
Mali wi do tsієї pori
Scourges, dungeons, sokiri;
–To finish you, slaves of God!
Under your cities from the streets of Galaslivih
Smіtayut smіtya,– korisna pratsya!–
Ale, forgetting your service,
Vivtar and sacrifice,
Zhertsі l take a mіtla from you?
Chi is not for life's praise,
Not for mere, not for battles,
My people are for inspiration,
For the sounds of licorice and prayers.

Only in the very last moment of the poet's blaming Yogo to the figure of a priest, to the figure of an intermediary between the world of Gods and the world of people. The symbols of the priestly service are blamed - vіvtar, sacrifice. And even if you didn’t realize what the sense of the divine is doing to the priest, then we’re called to not include the unilluminated natovpu roztlemachuvatsa into yoga bindings. The riddle is still left unsolved, as if only one could not reveal the most obvious. Meta poetry - poetry, meta science - magic, self-sufficient in the middle of itself, which does not require any kind of truth for its foundation.

The story of the creation of the verse "Prophet" itself can look like a complete story. Let's guess that Pushkin wrote the whole verse, if the news about the Decembrist rebellion reached the new one. Sitting in Mikhailivsky, I was aware of the preparation of the rebellion when I arrived once I saw I.I. Pushchino. Since the call about the rebellion reached Pushkin, then the closest Pushkin friends, who are in the midst of the podia, told you about the podia, as if they were throaty in St. Petersburg. It was obvious that a left part of the Decembrists, telling Nicholas I about those, the stars of the stench played their will-loving ideas, called Pushkin absolutely out of the blue, quoted this verse. To that, as Pushkin's share could turn away, for Pushkin himself it was a problem and a mystery. І axis z tsієї nagodi vіn і warehouse "Proroka", and even by mail before the writing of this verse, there will be a call about the tragic defeat of the Decembrist rebellion, about Pushkin's friends, who suffered in this history. Here it is reasonable to guess Küchelbecker, in the work of which the image of the poet in Persh black sticks with the look of the prophet and the tradition of which Pushkin continues. Zagalom, Pushkin prepared the day of remembrance for the emperor. It is true, however, that a lot of specific historical surroundings, connected with the creation of this verse, were included by Pushkin in the text of the "Prophet", and the wine itself was added more wide, universal, symbolic sense, lower history itself.

Before us are two verses with two diametrically directed ideas of the poet and poetic service. Just as the “Prophet” sings at the verse, victorious over the divine mission, is guilty of “the divine fire of the hearts of people”, i.e., victoriously signifi- cantly correct the right direction of the people, then at the same time with the verse “Sings and natovp” we see a diametrically opposite situation in front of us. To go about the art as such, as if you have seen, that you do not need any additional proof for your foundation. I guess that, from the point of view of Pushkin, it is necessary to take it as if it were rubbish, as if with difficulty it is allowed by the poet himself. Indeed, this and that topic seems to be found in one place. Tse bude famous verse "I erected a monument to myself not made by hands",

Mal. 6. Autograph verse "Monument" ()

de immortality of the poet and yoga will be presented at the sight of glory:

And I will be glorious, docks in the underworld

Alive bude even one sings.

To that it was conceivable that one should sing in Persian black to appreciate the very artistic mastery, that very great aristocracy of the artist, which glimmers brightly in the poetic form of Pushkin's works. And if the axis is worthy of hearing, as it passes through all Russia, then great Russia will appreciate the poet's name for something else. For those:

What in my zhorstoky century, having glorified Freedom

І call until you are able to call.

It’s not for nothing that the “Monument” will end with a marvelous reunion of the Christian tradition and the ancient one:

By the command of God, about the muse, be heard.

About those, how the theme of poetry and poetry developed in other, more famous works of Pushkin, we will talk later.

1. Sakharov V.I., Zinin S.A. Russian Language and Literature. Literature (basic and destruction of the river) 10. M .: Russian word.

2. Arkhangelsky O.M. i in. Russian Language and Literature. Literature (buried rіven) 10. M .: Bustard.

3. Lanin B.A., Ustinova L.Yu., Shamchikova V.M. / Ed. Lanina B.A. Russian Language and Literature. Literature (basic and burial rіvnі) 10. M .: VENTANA-GRAF.

1. Russian literature and folklore ().

1. Carry out a parallel characterization of the deacons of various authors of the 18th-19th centuries. and tell you why the novelty and peculiarity of the poet and poetry in Pushkin's work.

2. Analyze Pushkin's verses ("Prophet", "Sings and NATO") from the point of view of their figurativeness.

3. * Based on the analysis of Pushkin’s verses, write a tvir-review on the topic: “As a specialty, as the soul of the right sings is guilty.”

The first in Russian poetry is the link between poetry and prophecy, showing Küchelbecker. Nekrasov propagates a different look at the poet in tandem with his successors. Nekrasov sings - that's the prophet, like to the people "God sent anger and sadness." Calling on such a prophet - go with a lyre in your hands, bewildered and wailing. If you understand that people won’t love such a poet: “Yogo, the blasphemy will follow: you won’t catch the sounds of approval not in the licorice of praise, but in the wild cries of anger.” Ale Nekrasov does not change his position: “We can’t marvel calmly on the mountains.” Tsya position - the position of the poet-hulk.

The most clear position is shown in the verse “The Gromadyan Sings and Sings” (1856), written in the form of a dialogue. In the new Nekrasov, there is a rivalry with those who respect poetry with subtle art, distant earthly folk suffering. The head thought, as Nekrasov solidifies in this super-echo, sounds like it was dying out, like a cry: “You can not sing, but be a goiter with a huge man.” This theme is repeated in the verse of "Elegy", as if directly started in rows:

Don't let us talk about fashion,

What is the topic of old suffering to the people

І scho poetry forget її guilty,

Don't wilt, youngsters, don't get old.

At the top of the "Sowers" Nekrasov calls out "be smarter, kinder, eternal", and if you want to sanctify the obov'yazkovo, let's go, for "thank you heartily, the Russian people."

In the works of Nekrasov, the image of Musi often appears, as his creativity was suffocating (“Muse”, “Yesterday, years on the road”, “Oh, Muse! I beat the doors of the tunnel” and іn). The muse of Nekrasov is not a beautiful woman, a goddess, but a suffering villager:

Yesterday, years on the sixth

Zaishov I'm on Sinnu.

There they beat the woman with a batog,

The villager is young.

No words from її breasts,